꾸덕한 붓터치가 살아있는 AI 그림: 나만의 임파스토 포스터 만들기

영감얻은 블로그 : https://blog.naver.com/cinews/224132202777

프롬프트를 공개합니다.

[Final Prompt] A masterfully executed, thick impasto oil paint stroke curves elegantly from the lower left to the upper right on a high-quality, white fiber-textured paper. The brushstroke itself has a sculptural, 3D bas-relief quality with visible bristle marks and heavy paint volume.

Inside the brushstroke, a miniature 3D narrative of Yokohama unfolds under a harmonious coastal twilight lighting:

Lower-Left (Beginning): The peaceful Sankeien Garden with traditional wooden structures nestled amongst trees, rendered in muted earthy greens and aged wood tones.

Mid-section (Historical Core): The iconic Yokohama Red Brick Warehouses, their textured facades glowing with a vintage terracotta warmth. Beside it, the ornate gate of Yokohama Chinatown appears, its usual vibrant colors toned down to deep jade and tempered gold by evening shadows.

Coastal Edge: Yamashita Park and the historic Hikawa Maru ocean liner anchored at the water's edge, reflecting deep navy blues and slate grays.

Upper-Right (Apex): The modern skyline of Minato Mirai 21, featuring the Landmark Tower and the giant Ferris wheel (Cosmo Clock 21), catching the last cool blue light of the day with metallic silver accents.

Color & Lighting Strategy: A sophisticated, unified palette of Muted Yokohama Blue, Vintage Brick Red, and Deep Navy. The entire scene is bathed in a soft, atmospheric coastal twilight to ensure visual harmony and prevent any single element from clashing.

Composition: Minimalist top-down perspective with significant clean white space outside the stroke. The miniature landscape exists strictly within the paint. Hyper-realistic, 8K resolution, HDR, extreme detail, and masterful artistic lighting.

Typography (Bottom Center):

Main Title: “YOKOHAMA” (Refined, high-contrast serif typography)

Subtitle: “Where historic port winds meet the future horizon.”

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수묵화 느낌

굵은 먹선 한 줄이 그어지고, 그 먹 번짐(Ink bleed) 사이로 안개에 싸인 도시의 실루엣이 스며 나오듯 표현됨. (매우 동양적이고 철학적인 느낌)

[Final Prompt] A single, powerful, and fluid Sumi-e (Japanese ink wash) brushstroke sweeps from the lower left to the upper right on a premium, raw rice paper texture with visible fibers. The stroke exhibits master-level ink tonality, ranging from deep charcoal blacks to ethereal misty grays, with natural ink-bleed (shading) at the edges.

Inside this fluid ink stroke, a miniature 3D narrative of Kanazawa is subtly etched with delicate ink lines and negative space:

Kenrokuen's Yukitsuri: Sharp, rhythmic ink lines representing the rope structures of the pine trees, emerging from a soft gray mist.

Higashi Chaya District: Fine-lined wooden lattices (Koshi) of traditional teahouses, rendered with the "Galpil" (dry brush) technique to show weathered wood textures.

Kanazawa Castle: The pristine white walls are cleverly formed using the negative space (white of the paper), contrasted against the heavy, dark ink-wash of the stone foundations.

Nagamachi Samurai District: Soft, bleeding ink washes depicting the ancient mud walls and narrow alleys, creating a nostalgic and damp atmosphere.

Kinpaku (Gold Leaf) Accent: Tiny, delicate flakes of shimmering gold leaf are scattered sparsely within the ink stroke, catching the light without overwhelming the monochrome harmony.

Style & Atmosphere: Minimalist Zen aesthetics. The landscape feels like a dream emerging from a single breath of ink. The background is pure, untouched rice paper, emphasizing the "Beauty of Empty Space" (Yohaku-no-bi).

Technical Specs: Hyper-realistic ink textures, 8K resolution, HDR, masterful control of contrast between deep ink and paper white.

Typography (Bottom Center):

Main Title: “KANAZAWA” (Artistic calligraphy style or minimalist serif)

Subtitle: “A golden soul hidden within the silent ink.”

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점묘법

수만 개의 반짝이는 빛의 점들이 모여 하나의 큰 붓자국 형태를 만들고, 그 점들이 모여 도시의 야경이나 랜드마크를 형성함. (매우 화려하고 환상적인 느낌)

[Final Prompt] A masterpiece in the style of Pointillism (Georges Seurat technique) on a rough, textured canvas. Instead of a solid brushstroke, a swirling river composed of millions of individual, glowing color dots (particles) sweeps from lower left to upper right. The forms within are constructed entirely from these distinct points of color, creating an optical vibration of light.

Inside this flowing stream of colored dots, a miniature narrative of Osaka's energetic nightlife unfolds:

Dotonbori Neon (Focal Point): A vibrant explosion of cyan, magenta, and yellow dots forming the iconic Glico Running Man and the shimmering, fragmented reflections on the canal water below.

Shinsekai & Tsutenkaku: Dense clusters of warm retro orange and deep red dots construct the intricate steel frame of Tsutenkaku Tower and the cluttered, glowing signage of the street beneath.

Osaka Castle: A majestic form built from tightly packed jade green (for roof tiles) and glimmering gold dots, contrasting with the surrounding neon chaos.

Giant Food Signs: Thick, textured conglomerations of red and orange dots creating 3D pop-out effects of the giant Kani Doraku Crab and suspended Takoyaki models.

Namba Yasaka Shrine: A massive, imposing lion head structure rendered with high-density bronze and deep green color points, swallowing the light.

Color & Light Strategy: A shimmering, vibrating clash of Electric Neon (cyan, magenta, bright yellow) and Warm Retro (deep orange, red, gold). The dots themselves appear to emit light.

Composition & Texture: Minimalist top-down view. The particle stream is isolated on a clean white background, emphasizing the granular texture. 8K resolution, extremely high detail, vibrant optical color mixing.

Typography (Bottom Center):

Main Title: “OSAKA” (Bold, playful, and energetic display font)

Subtitle: “A city of a million lights pulsing with savory energy.”

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[Heavy-Body Oil-Sumi-e on Hanji] 기법

[Final Prompt] Style & Technique: A high-relief, sculptural masterpiece titled "Heavy-Body Oil-Sumi-e". The artwork is executed on a thick, traditional Hanji (Korean mulberry paper) background with distinctively coarse, visible unbleached fibers and a natural off-white color.

The Stroke: A colossal, sweeping brushstroke of heavy-bodied oil paint dominates the composition, flowing with the energy of traditional ink calligraphy but possessing the physical depth of a bas-relief sculpture.

Miniature 3D Elements Sculpted Within the Paint:

Gyeongbokgung & Dan-cheong: Thick slabs of red, green, and blue oil paint are layered, with intricate geometric Dan-cheong patterns deeply engraved (carved out) into the paint surface, revealing the layers beneath.

Hanok Cheoma Curve: The elegant, lifting curve of a traditional roof is formed by a sharp, high-relief ridge of black oil paint, pushed upwards by a palette knife.

Jeju Dol Hareubang: A rugged figure modeled not just from paint, but from a gritty, sand-textured grey oil paste, perfectly mimicking the porous and rough surface of volcanic basalt stone.

Modern Skyline: The Namsan Tower and Lotte World Tower are rendered in contrast using smooth, metallic silver and reflective grey oil paints, standing sleek against the rougher textures.

Hangul Inscriptions: Ancient-looking Korean characters like '혼' (Soul) and '바람' (Wind) are subtly scratched (sgraffito) into the wet surface of the thickest paint areas, looking like old carvings.

Lighting & Depth: Dramatic rim lighting from the side highlights the deep grooves of the carvings, the rough texture of the basalt paint, and the individual fibers of the Hanji paper background.

Composition: Minimalist top-down view. The Hanji negative space is crucial. 8K resolution, macro photography detail, hyper-realistic texture rendering.

Typography (Bottom Center):

Main Title: “KOREA” (Minimalist, embossed serif font)

Subtitle: “A rugged soul carved in earth and vibrant colors.”